Dvorak - Violincello Concerto / Bruch: Kol Nidrei / Speakers Corner

The outstanding success of our release of Bach’s Cello Suites performed by Janos Starker has encouraged us to follow this up with a no less important interpretation of Dvorák’s Cello Concerto by the Hungarian virtuoso.

Starker tackles this concerto with amazing confidence; technical difficulties encountered by others in its performance appear unknown to him. Tonal purity, even in the dreaded upper register and the cadenzas, remains unscathed,

so that one can concentrate wholly on the meditative magic of the music.Janos Starker has found worthy fellow musicians in Antal Dorati and the London Symphony Orchestra. The conductor and soloist set a benchmark in how

to work together as a team in concert in that it is less the often lamentedemulation than the interpretation which stands in the foreground in this performance. Rather, the two protagonists commit themselves to a chamber-music-like

reading which is distinguished by the dynamically moderate intonation of the orchestra and the slender tone of the soloist throughout. An ever-welcome encore is found on side two with Bruch’s "Kol Nidrei", performed with verve and

good portion of romantic, melting sweetness which allows this evergreen to flourish.Antonín Dvorák: Concerto for Cello and Orchestra in B Minor, op. 104 / Max Bruch: Kol Nidrei, op. 47 - Janos Starker (vc) and the London Symphony

Orchestra conducted by Antal DoratiRecording: July 1962 at Wembley Town Hall, London, by C.R. Fine and Robert Eberenz

Title

Side 1

Antonín Dvořák: Concerto In B Minor For Violoncello And Orchestra, Opus 104

1. Allegro

2. Adagio Ma Non Troppo

Side 2

1. Finale - Allegro Moderato

2. Max Bruch: Kol Nidrei, Op. 47